Sprigs of Mint

From the Publisher

Arne Selbyg

Selbyg notes that ELCA colleges and universities have remained more loyal to the church than the institutions of many other denominations and announces that with this issue Tom Christenson’s nine-year service as editor of Intersections comes to an end, with Bob Haak of Augustana College in Rock Island assuming the editorship and institutional support shifting from Capital to Augustana.

From the Editor

Tom Christenson

In his valedictory letter as outgoing editor, Christenson recounts the 1994 origins of Intersections, when he took the idea to Naomi Linnell and Jim Unglaube at DHES and persuaded the council of presidents to launch the journal on a shoestring with printing paid by DHES and everything else by Capital University. He summarizes the issue’s contents—papers from the 2004 Vocation of a Lutheran College Conference plus two commissioned pieces from former DHES directors Bob Sorensen and Leonard Schulze—and thanks the student copy editors and Capital’s presidents and provosts who sustained the publication.

Changes

W. Robert Sorensen

Writing as former executive director of the Division for Higher Education and Schools, Sorensen places the DHES within the threefold movement of Luther’s Reformation—university, church, and individual piety—and recounts how the Division cohered its work with colleges, universities, campus ministries, and schools around Joseph Sittler’s definition of education as “movement into a larger world.” Drawing on Huston Smith’s “primordial tradition,” the Namibian student program, work in India and Palestine, and the Bergendoff series of publications, he raises a twofold concern about the proposed merger of DHES into a Division for Vocation and Education: whether the new structure will signal the core significance of education in the heritage and life of the church, and whether it can carry forward the effectiveness and scope of DHES’ work.

The Church in Education? Education in the Church? Ten Theses on Why These Questions Matter

Leonard G. Schulze

Writing in the months before the August 2005 Churchwide Assembly that will decommission DHES, Schulze frames his vision for the division as ten Lutheran-style theses, each followed by Luther’s catechetical question “What does this mean?” He argues that critical thinking and moral deliberation are in the Lutheran gene pool; that Luther’s devotion to learning was an expression of Christian vocation; that the rise of the research university and the binary public meaning of “evangelical” have marginalized church-related colleges; that DHES has been wrongly perceived as marginal; and that the reformed concept of vocation must drive the soon-to-be-created program unit for Vocation and Education. An appendix reproduces the 2005 DHES strategic planning overview.

Private University, Public Witness: Life in the "None Zone"

Loren J. Anderson

Drawing on sixteen years at Concordia College in Moorhead and twelve at Pacific Lutheran University, Anderson contrasts the Lutheran heartland with the Pacific Northwest’s “None Zone”—Patricia Killen and Mark Silk’s name for the country’s least churched region—and argues that a faithful Lutheran witness is possible in this changing context. He proposes five callings for the colleges—an academic program shaped by both educational philosophy and Lutheran theology, vibrant campus communities of faith and learning, inclusiveness and ecumenical outreach, global vision, and vocational exploration—and closes by sketching PLU’s shift toward “partnership” congregations and a new Center of Religion, Culture and Society in the Western United States.

Finding Words That Matter (Proverbs 1:20-21; 4:10-13)

Harvard Stevens Jr.

In a brief homiletic reflection on Proverbs, Stevens addresses Lutheran educators as “merchants of wisdom” competing with a crowded contemporary marketplace of internet, cable TV, and rap music alongside “Hedonism 101,” “Advanced Voyeurism,” and “Pure Escapism.” Recounting an evening with a Carthage student poetry club, he shares the poem wisdom whispered to him there and offers thanks for the high calling to teach “words that matter.”

Money, Sex and Power: An Exploration of Some Controversial Issues in the Public Witness of the Church

Pamela K. Brubaker

Brubaker explores two controversial issues in the church’s public witness—homosexuality and economic life—and the challenges they present for both church and college. Drawing on Beverly Harrison, Elizabeth Bounds, Ron Thiemann, Linell Cady, Marcia Bunge, Richard Hughes, Darrell Jodock, Ernest Simmons, Karen Bloomquist, Garth Kasimu Baker-Fletcher, and Larry Rasmussen, and on episodes at California Lutheran University around “Harmony Week” and Bishop Paul Egertson’s participation in Anita Hill’s ordination, she argues that colleges related to the ELCA are called to educate for “critical citizenship” by hosting rigorous, bold, and unfettered debate—including debate over the neo-liberal globalism that she names a form of economic fundamentalism.

Education as a Christian (Lutheran) Calling

Tom Christenson

Christenson opens with an imaginative reconstruction of early Christian communities as radically egalitarian, pacifist, communitarian gatherings within the Roman Empire and argues that such communities are natural homes for the educational vocation. Naming two temptations for contemporary Christian higher education—the parochial Bible school and “Generic U”—he uses his friend Sig Rauspern’s tree metaphor to insist that a university is Christian in its trunk and roots rather than in grafted-on branches. Drawing on Wendell Berry, Jacob Bronowski, Walter Wink, Douglas John Hall, and his own Gift and Task of Lutheran Higher Education, he names faithful criticism, engaged suspiciousness, simul justus et peccator, and a fallible, love-related Lutheran epistemology as the particular gifts Lutherans bring to the Christian educational calling.

Emily Dickinson in Columbus, Ohio

Caitlin McHugh

No. 17 · Summer 2003

McHugh imagines Emily Dickinson waking up on a COTA bus to find “the world had ended, and her violets were gone forever,” then escaping the crowd to wander High Street, taste “actual brewed liquor,” quit “the act of reclusive-drama queen-ghost,” and finally smash a bouquet of violets when she realizes that “Beauty had not stopped for her death, but crawled bravely onward.”

Well, Well…Plumbing Our Depths, Telling Our Stories

Ann Boaden

No. 40 · Fall 2014

Beginning with a college visit that turned into a grieving mother’s confidence about her daughter’s last moments, Boaden uses John 4’s well of living water to argue that an interfaith education worthy of the name requires Lutherans to plumb the depths of their own tradition’s wells — with rituals, stories, and seasons intact — before they can see, respectfully, into the wells from which others drink.

Holy Odors

John P. Trump

No. 14 · Summer 2002

A one-act play by John P. Trump, premiered at Pacific Lutheran University, in which Maggie, a senior studying Reformation history in the library stacks, falls asleep over the Apology of Augsburg and dreams a 16th-century pickled-herring merchant—Herr Leonard Kopp, the man who smuggled Katie von Bora and eight other nuns out of the convent—into existence to argue that her call to archaeology (“digging up old bones”) is as holy as ordained ministry, with Luther’s joke that the church burns incense to insulate priests from the “holy odors” (not holy orders) of everyday life.

Meditation—Band Chapel Service, St. Olaf College

Erik Haaland

No. 7 · Summer 1999

Haaland, a St. Olaf senior, offers a brief Band Chapel meditation that defines art as “the expression of what is deeply human through the manipulation of the physical world” and defends worship—architecture, stained glass, music, eloquence—as an art form requiring our best and most sincere efforts. When the God we worship and the salvation we proclaim do not seem near, artful worship offers not propositions but something real and tangible to hold on to.

How Can We Keep From Singing?

Robert Scholz

No. 7 · Summer 1999

Scholz, professor of music at St. Olaf, responds to Tom Christenson’s “Freedom of a Christian” by walking through his own Nunc dimittis for the St. Olaf Christmas Festival, an Elderhostel choir of singers aged 60 to 95, and the four liberating arts (enablement and change, melioristic, embodying, and critical) as they shape conducting, composition, and music education. He defends the fine arts and folk traditions over “contemporary Christian” soft pop-rock and taped accompaniments, citing Luther’s preface to Georg Rhau’s Symphoniae iucundae and the family of God’s need to interact in song against the virtual community of TV evangelism and the Crystal Cathedrals of the air.

Redemption Through Imperfection

Kyoko Mori

No. 5 · Summer 1998

Mori, drawing on a visit to the Philadelphia Museum of Art with a friend, contrasts Marcel Duchamp’s Étant donnés—a peephole work whose mysterious motion sweeps every viewer into a shared, perpetual performance—with the static, glass-encased Liberty Bell as parody of spiritual experience. She extends the contrast into a meditation on rituals (comfort and consolation) versus art (truth, however painful), and on writing as a redemptive process that moves from orderly first drafts toward chaos and deeper, frightening truth—closing with master potters who skewed each finished vessel slightly so that art and decoration could be told apart. Parts are excerpted from Polite Lies (Holt 1997).

Original Song Lyrics: "Just a Little"

Mike Blair

No. 48 · Fall 2018

Lyrics for an original song inspired by biblical images and stories, by Emma Lazarus’ “The New Colossus,” and by the faith, hope, love, and courage of immigrant friends and neighbors — led as a devotion during the 2018 Vocation of a Lutheran College conference.