Poetry: After Months of Clouds, the Sun; First Bird

From the Publisher

Mark Wilhelm

Wilhelm describes how ELCA colleges and universities have shifted the definition of Lutheran higher education away from institutional markers toward alignment with educational values drawn from the Lutheran intellectual tradition — and previews a NECU-convened faculty working group whose recommendations will go to the ELCA college presidents at their June 2017 conference on Lutheran identity.

From the Editor

Jason A. Mahn

Mahn introduces “Education in the Age of Trump” by recounting a difficult academic year on his own campus — the Augustana “chalking” incident, a Latinx Unidos rally, and post-election conversations with marginalized students and quietly conservative Trump supporters alike — and frames the issue’s essays as careful (re)imaginings of the vocation of Lutheran higher education in an anxious political climate.

Higher Education in the Age of Trump

Daniel B. Braaten

Braaten surveys what the Trump administration has and has not done on higher education — from the selection of Betsy DeVos and a rumored Falwell-led task force to the travel ban and expanded deportation priorities — and argues that Lutheran colleges, guided by the ELCA’s social message on immigration, have a special obligation to consider what they will do to protect their most vulnerable students.

Resistance in the Age of Trump: An Interview with Ivonne Wallace Fuentes

Jason A. Mahn, M. Ivonne Wallace Fuentes

In conversation with Jason Mahn, Roanoke College historian Ivonne Wallace Fuentes describes how she launched a local chapter of Indivisible after the 2016 election, how the skills of teaching and historical research carry over into grassroots advocacy, and how her sense of vocation (vocare) has become intertwined with the work of advocacy (advocare).

Religion in the Age of Trump

Daniel A. Morris

Morris reads the 81% evangelical vote for Donald Trump through two historical theses: that evangelicals’ once-coherent story about Godly participation in political life has fallen apart, and that their long-running tendency to exclude others — once aimed at Black Americans and Catholics — has now turned decisively against Muslims. He argues that scholars of religion and politics have a responsibility to tell these stories well, and that appeals to classroom objectivity can no longer be a luxury.

Room at the Table: Reflections on Identity and Inclusion from a Lutheran-Friendly Muslim

Rose Aslan

Aslan reflects on her experience as a Muslim professor of Islamic studies at California Lutheran University — teaching “Introduction to Christianity” from her strengths in the Abrahamic religions, preaching an Eid khutba in a Lutheran chapel, and conversing with the university’s convocators — and proposes “Lutheran-friendly Muslim” as a way of being host and guest at once in a pluralistic Lutheran institution.

Jonah: The Anti-Hero of Vocation

Martha E. Stortz

In a chapel talk first given at Augsburg College’s Vocation 2.0 series in September 2016, Stortz reads the prophet Jonah as the great anti-hero of vocation — one who tries to outrun God’s call to the great city of Nineveh — and argues that, in a season of urban violence and divisive election-year rhetoric, the story is less about public calling than about being called by the publics in our midst.

Why Did the Chicken Cross the Road? A Homily on Liminality and Vocation

Lori Brandt Hale

Drawing on Wes Moore’s The Other Wes Moore, Warren St. John’s Outcasts United, Victor Turner’s anthropology of liminality, and Dietrich Bonhoeffer’s poem “Who Am I?”, Hale considers how Hmong, Muslim, Latinx, LGBTQ+, non-traditional, and other students live in “double liminal” spaces — and asks whether liminality might itself be a place of transformation in conversations about vocation.

Two Poems: The Advent Carol / The Madonna of Dohany Street

Brian Forry Wallace

No. 2 · Winter 1997

Two poems by Brian Forry Wallace of Capital University: “The Advent Carol,” a litany of the babies who were not adored—the Jewish baby shot with a Luger, the Black child hanged from a tree, the female messiah tossed into a river, the Tutsi infant cut by machetes, the Japanese newborn incinerated by atom bombs, the Chinese baby crushed by Japanese bombs, the aborted Mary’s child—ending with the baby “whom we do not understand, cannot feed, whom we kill”; and “The Madonna of Dohany Street,” on a Holocaust photograph in a Budapest museum of a dead mother and her dead Christ-child daughter in the former ghetto, in which annunciation, nativity, adoration, and crucifixion are seen together in a single instant.

Endtimes

Dave Hill

No. 34 · Fall 2011

A four-stanza meditation on the “last perfect day” when an unblemished Sun makes the cool Ocean roll—and on the relation of each questing mind to the Deep, of each frail mortal to the pulse of the Sea at the edge of the grave. “Let it die full of Life! Let its murmurs and sighs / Give the drama a meaning. Let it not, Lord, die dead.”

About the Cover and Artist

No. 49 · Spring 2019

Kristen Gilje, a Bellingham, Washington artist who spent nine years as Artist in Residence at Holden Village, recounts the “Tree of Life” she painted for the Holden Village 1999 summer theme and the unexpected interpretation Lapidary Fred offered of Yggdrasol, Prometheus, the Druid Tree Spirit, and the crucifix all at once.

The Etiology of Eschatology

Kevin Griffith

No. 15 · Winter 2002

A wry meditation on end-times and beginnings in which the last trumpet is only a prelude to the longest dawn, newly handmade animals grow fat waiting for caretakers to name them, dark-robed cryptologists fret over the end of everything, and once everyone has solved the great conundrum the big man simply hits rewind.

In the Beginning of the Reformation Was the Word

George Connell

No. 46 · Fall 2017

Drawing on a Concordia faculty pilgrimage to German Luther sites, Connell appropriates John’s prologue to frame the Reformation as a movement about words — the printed page, the university classroom, the Marburg confession, the Wartburg translation, Bach’s music, and the dining-room conversations of Table Talk — while soberly noting that words can wound as well as heal.

Meditation—Band Chapel Service, St. Olaf College

Erik Haaland

No. 7 · Summer 1999

Haaland, a St. Olaf senior, offers a brief Band Chapel meditation that defines art as “the expression of what is deeply human through the manipulation of the physical world” and defends worship—architecture, stained glass, music, eloquence—as an art form requiring our best and most sincere efforts. When the God we worship and the salvation we proclaim do not seem near, artful worship offers not propositions but something real and tangible to hold on to.