Drunks in a Midnight Choir

From the Publisher

Arne Selbyg

Selbyg announces that the 2001 ELCA Churchwide Assembly has commissioned a new social statement on education, placing it alongside the economy, the environment, abortion, sexuality, health, and peace, and invites Intersections readers to submit input on which topics within the field of education the statement should address.

From the Editor

Tom Christenson

Christenson introduces an issue of varied voices—bishops and university presidents, philosophers and poets, students and their teachers—and defends the T. S. Eliot cover selection (“Where is the wisdom we have lost in knowledge?”) against the charge of being too depressing, arguing with cover artist Ida that Lutherans are realists about human accomplishments and that there is a huge difference between optimism and hope.

The Marks of an ELCA College: One Bishop's Reflections

Stanley Olson

Olson, speaking as a bishop and “Harness Boy” whose job is to keep the church’s connections working, replaces his original four-noun outline (fealty, ingenuity, insouciance, focus) with eight marks the ELCA should be able to observe in its colleges: intentional Lutheran identity, significant Lutheran presence, Christian faith at every table, freedom of inquiry, coaching toward vocation, gravity and grace, nurtured community, and excellence by its own standards. Drawing on his survey of all twenty-eight ELCA college mission statements (two tables) and on Darrell Jodock and Mark Edwards, he argues that the Lutheran connection must be made explicit in mission, marketing, and faculty searches, and closes with six reciprocal expectations the colleges should hold of the ELCA—commissioner, mature parent, supporter of adventurous teenagers, advocate, steward of graduates, and a church faithful to its own Lutheran mission.

Welcome Strangers

Gregg Muilenberg

Muilenberg, a non-Lutheran philosopher at Concordia, argues that self-consciously Lutheran colleges cannot make non-Lutheran faculty feel welcome through “institutional fit” rhetoric (he cites Concordia’s own hiring boilerplate) because identity must be sustained and developed, not preserved like a pickle. Drawing on Nikos Kazantzakis’s Report to Greco and the three marks of the “profoundly religious person”—commitment to the truth, to the power of the spirit, and to metousiosis through myth—he proposes that faith and reason are best understood as an unending struggle into which strangers must be invited as valuable and active participants, safeguarded by the strongest possible affirmation of academic freedom (citing Martha Nussbaum on Notre Dame and BYU).

The Etiology of Eschatology

Kevin Griffith

A wry meditation on end-times and beginnings in which the last trumpet is only a prelude to the longest dawn, newly handmade animals grow fat waiting for caretakers to name them, dark-robed cryptologists fret over the end of everything, and once everyone has solved the great conundrum the big man simply hits rewind.

The Identity, Mission, Vision, and Goals of a Lutheran College vis a vis Bacon's "Of Studies" and Newman's "The Idea of a University"

Cora Lazor, Mary Theresa Hall

Hall, an Associate Professor of English at Thiel, and Lazor, a Thiel junior and 2002 ELCA Division for Higher Education summer intern, read Thiel College’s Statements of Identity, Mission, Vision, and Goals alongside Sir Francis Bacon’s “Of Studies” (1625) and John Henry Cardinal Newman’s The Idea of a University (engaging Azade Seyhan’s May 2002 PMLA essay along the way). They argue that Bacon’s “Read…to weigh and consider” and Newman’s defense of liberal over technical training underwrite Thiel’s new Writing-Intensive Course requirement, its ten institutional objectives, and its commitment to “service to society” in the Judeo-Christian tradition.

Honesty of Mind: On the Uses and Abuses of Socratic Ignorance in Environmental Studies, Religion, and the Classroom

Don Braxton

Braxton, taking his cue from David James Duncan’s defense of ignorance as a fly-fisher’s most crucial tool and from Socrates’ midwife’s art in the Theaetetus, defends a doctrine of “honesty of mind” resting on four premises—knowledge is constructed, judgments are wagered amid imperfect knowledge, expertise can disable learning, and we are encumbered by other ways of knowing. He field-tests the disposition against three domains: the climate-change and creationism debates in environmental studies, the post-September 11 turn toward religious pluralism (engaging Union Seminary’s Joseph Hough and Hauer and Young’s “three-world” approach to the Bible), and the liberal arts classroom where students “become democrats of the mind” through Reinhold Niebuhr’s balance of conviction and contrition.

Paul Dovre, ed.: The Future of Religious Colleges

Baird Tipson

Tipson, president of Wittenberg University, reviews Paul Dovre’s edited proceedings of the October 2000 Harvard Conference on the Future of Religious Colleges (Eerdmans, 2002), summarizing essays by Douglas Sloan on the failure of the “two-realm theory of truth,” George Marsden on faith-shaped scholarship, DeAne Lagerquist, Father David O’Connell, Mark Noll, Robert Benne, Mark Roche on Notre Dame, Joel Carpenter on neo-Calvinist Kuyperianism, and Mark Schwehn on a Lutheran “college-related church” and the centrality of vocation. Against Benne’s suggestion that only two or three robustly Lutheran colleges can be sustained, Tipson defends a less robust but still authentically Lutheran model embodied at places like Wittenberg, Gettysburg, and Roanoke, arguing for the enlightenment commitment to subjecting all truth claims to rigorous criticism and for hiring Marsden-style faith-shaped scholars rather than counting Lutheran heads.

Poetry: Rituals for an Uninvented Religion / On the Recently Discovered Mass Grave of Mice

Kevin Griffith

No. 6 · Winter 1999

Two poems by Kevin Griffith of Capital University: “Rituals for an Uninvented Religion,” a seven-part liturgical bestiary of made-up customs (lead-filling cups in June, masks for the dying, two bottom-feeding August fish, wax grave markers with wicks, the leap-day child, and the carnival-free day of judgment), and “On the Recently Discovered Mass Grave of Mice,” prompted by New Zealand shepherds’ uncovering of 300,000 mouse skeletons, on the bones “each light as a child’s first question” and the “graveyard rush” we share with the good flock.

Well, Well…Plumbing Our Depths, Telling Our Stories

Ann Boaden

No. 40 · Fall 2014

Beginning with a college visit that turned into a grieving mother’s confidence about her daughter’s last moments, Boaden uses John 4’s well of living water to argue that an interfaith education worthy of the name requires Lutherans to plumb the depths of their own tradition’s wells — with rituals, stories, and seasons intact — before they can see, respectfully, into the wells from which others drink.

About the Cover and Artist

No. 49 · Spring 2019

Kristen Gilje, a Bellingham, Washington artist who spent nine years as Artist in Residence at Holden Village, recounts the “Tree of Life” she painted for the Holden Village 1999 summer theme and the unexpected interpretation Lapidary Fred offered of Yggdrasol, Prometheus, the Druid Tree Spirit, and the crucifix all at once.

Endtimes

Dave Hill

No. 34 · Fall 2011

A four-stanza meditation on the “last perfect day” when an unblemished Sun makes the cool Ocean roll—and on the relation of each questing mind to the Deep, of each frail mortal to the pulse of the Sea at the edge of the grave. “Let it die full of Life! Let its murmurs and sighs / Give the drama a meaning. Let it not, Lord, die dead.”

The Musician's Vocation

Jeffrey Bell-Hanson

No. 48 · Fall 2018

Bell-Hanson argues that musicians, who exercise profound influence over the emotional flavor of a moment, are called not merely to technical proficiency but to a sense of vocation: understanding their art well enough to use it responsibly, to intend truthfulness rather than manipulation, and to articulate its significance in dialog with other disciplines.

Things That Renew Hope

Sig Royspern

No. 8 · Winter 2000

Inspired by Andrew Greeley’s Religion as Poetry, which defines religion as hope-renewing experiences and the stories, symbols, rituals, and images that preserve them, Rauspern offers a list-poem of small renewals of hope: lovers kissing in the street, the first snowfall of each year, compost and spring sprouts and Jewish humor, kids’ summer mischief, a mother nursing her baby on the bus, small jazz ensembles, two old men reconciling without remembering why, an unscheduled gift, the blues, a child taking him by the hand, and a gray-haired man who threw his cellular phone in the river.

Meditation—Band Chapel Service, St. Olaf College

Erik Haaland

No. 7 · Summer 1999

Haaland, a St. Olaf senior, offers a brief Band Chapel meditation that defines art as “the expression of what is deeply human through the manipulation of the physical world” and defends worship—architecture, stained glass, music, eloquence—as an art form requiring our best and most sincere efforts. When the God we worship and the salvation we proclaim do not seem near, artful worship offers not propositions but something real and tangible to hold on to.