Drunks in a Midnight Choir

From the Publisher

Arne Selbyg

Selbyg announces that the 2001 ELCA Churchwide Assembly has commissioned a new social statement on education, placing it alongside the economy, the environment, abortion, sexuality, health, and peace, and invites Intersections readers to submit input on which topics within the field of education the statement should address.

From the Editor

Tom Christenson

Christenson introduces an issue of varied voices—bishops and university presidents, philosophers and poets, students and their teachers—and defends the T. S. Eliot cover selection (“Where is the wisdom we have lost in knowledge?”) against the charge of being too depressing, arguing with cover artist Ida that Lutherans are realists about human accomplishments and that there is a huge difference between optimism and hope.

The Marks of an ELCA College: One Bishop's Reflections

Stanley Olson

Olson, speaking as a bishop and “Harness Boy” whose job is to keep the church’s connections working, replaces his original four-noun outline (fealty, ingenuity, insouciance, focus) with eight marks the ELCA should be able to observe in its colleges: intentional Lutheran identity, significant Lutheran presence, Christian faith at every table, freedom of inquiry, coaching toward vocation, gravity and grace, nurtured community, and excellence by its own standards. Drawing on his survey of all twenty-eight ELCA college mission statements (two tables) and on Darrell Jodock and Mark Edwards, he argues that the Lutheran connection must be made explicit in mission, marketing, and faculty searches, and closes with six reciprocal expectations the colleges should hold of the ELCA—commissioner, mature parent, supporter of adventurous teenagers, advocate, steward of graduates, and a church faithful to its own Lutheran mission.

Welcome Strangers

Gregg Muilenberg

Muilenberg, a non-Lutheran philosopher at Concordia, argues that self-consciously Lutheran colleges cannot make non-Lutheran faculty feel welcome through “institutional fit” rhetoric (he cites Concordia’s own hiring boilerplate) because identity must be sustained and developed, not preserved like a pickle. Drawing on Nikos Kazantzakis’s Report to Greco and the three marks of the “profoundly religious person”—commitment to the truth, to the power of the spirit, and to metousiosis through myth—he proposes that faith and reason are best understood as an unending struggle into which strangers must be invited as valuable and active participants, safeguarded by the strongest possible affirmation of academic freedom (citing Martha Nussbaum on Notre Dame and BYU).

The Etiology of Eschatology

Kevin Griffith

A wry meditation on end-times and beginnings in which the last trumpet is only a prelude to the longest dawn, newly handmade animals grow fat waiting for caretakers to name them, dark-robed cryptologists fret over the end of everything, and once everyone has solved the great conundrum the big man simply hits rewind.

The Identity, Mission, Vision, and Goals of a Lutheran College vis a vis Bacon's "Of Studies" and Newman's "The Idea of a University"

Cora Lazor, Mary Theresa Hall

Hall, an Associate Professor of English at Thiel, and Lazor, a Thiel junior and 2002 ELCA Division for Higher Education summer intern, read Thiel College’s Statements of Identity, Mission, Vision, and Goals alongside Sir Francis Bacon’s “Of Studies” (1625) and John Henry Cardinal Newman’s The Idea of a University (engaging Azade Seyhan’s May 2002 PMLA essay along the way). They argue that Bacon’s “Read…to weigh and consider” and Newman’s defense of liberal over technical training underwrite Thiel’s new Writing-Intensive Course requirement, its ten institutional objectives, and its commitment to “service to society” in the Judeo-Christian tradition.

Honesty of Mind: On the Uses and Abuses of Socratic Ignorance in Environmental Studies, Religion, and the Classroom

Don Braxton

Braxton, taking his cue from David James Duncan’s defense of ignorance as a fly-fisher’s most crucial tool and from Socrates’ midwife’s art in the Theaetetus, defends a doctrine of “honesty of mind” resting on four premises—knowledge is constructed, judgments are wagered amid imperfect knowledge, expertise can disable learning, and we are encumbered by other ways of knowing. He field-tests the disposition against three domains: the climate-change and creationism debates in environmental studies, the post-September 11 turn toward religious pluralism (engaging Union Seminary’s Joseph Hough and Hauer and Young’s “three-world” approach to the Bible), and the liberal arts classroom where students “become democrats of the mind” through Reinhold Niebuhr’s balance of conviction and contrition.

Paul Dovre, ed.: The Future of Religious Colleges

Baird Tipson

Tipson, president of Wittenberg University, reviews Paul Dovre’s edited proceedings of the October 2000 Harvard Conference on the Future of Religious Colleges (Eerdmans, 2002), summarizing essays by Douglas Sloan on the failure of the “two-realm theory of truth,” George Marsden on faith-shaped scholarship, DeAne Lagerquist, Father David O’Connell, Mark Noll, Robert Benne, Mark Roche on Notre Dame, Joel Carpenter on neo-Calvinist Kuyperianism, and Mark Schwehn on a Lutheran “college-related church” and the centrality of vocation. Against Benne’s suggestion that only two or three robustly Lutheran colleges can be sustained, Tipson defends a less robust but still authentically Lutheran model embodied at places like Wittenberg, Gettysburg, and Roanoke, arguing for the enlightenment commitment to subjecting all truth claims to rigorous criticism and for hiring Marsden-style faith-shaped scholars rather than counting Lutheran heads.

Poetry: Rituals for an Uninvented Religion / On the Recently Discovered Mass Grave of Mice

Kevin Griffith

No. 6 · Winter 1999

Two poems by Kevin Griffith of Capital University: “Rituals for an Uninvented Religion,” a seven-part liturgical bestiary of made-up customs (lead-filling cups in June, masks for the dying, two bottom-feeding August fish, wax grave markers with wicks, the leap-day child, and the carnival-free day of judgment), and “On the Recently Discovered Mass Grave of Mice,” prompted by New Zealand shepherds’ uncovering of 300,000 mouse skeletons, on the bones “each light as a child’s first question” and the “graveyard rush” we share with the good flock.

Sweet on My Lips

Corin Wesner

No. 13 · Winter 2002

A passage from Wesner’s travel journal during the same South Africa workshop. Walking into a wood-and-tin shack church where raindrops fall on already-soaked carpet and the service is in Xhosa, she remembers her painted, carpeted home church and her adolescent argument with her mother about wearing a dress to worship, and finds herself engulfed in warmth as the few women sing—welcomed by a stranger’s smile and opened up.

Redemption Through Imperfection

Kyoko Mori

No. 5 · Summer 1998

Mori, drawing on a visit to the Philadelphia Museum of Art with a friend, contrasts Marcel Duchamp’s Étant donnés—a peephole work whose mysterious motion sweeps every viewer into a shared, perpetual performance—with the static, glass-encased Liberty Bell as parody of spiritual experience. She extends the contrast into a meditation on rituals (comfort and consolation) versus art (truth, however painful), and on writing as a redemptive process that moves from orderly first drafts toward chaos and deeper, frightening truth—closing with master potters who skewed each finished vessel slightly so that art and decoration could be told apart. Parts are excerpted from Polite Lies (Holt 1997).

About the Cover and Artist

No. 49 · Spring 2019

Kristen Gilje, a Bellingham, Washington artist who spent nine years as Artist in Residence at Holden Village, recounts the “Tree of Life” she painted for the Holden Village 1999 summer theme and the unexpected interpretation Lapidary Fred offered of Yggdrasol, Prometheus, the Druid Tree Spirit, and the crucifix all at once.

Holy Odors

John P. Trump

No. 14 · Summer 2002

A one-act play by John P. Trump, premiered at Pacific Lutheran University, in which Maggie, a senior studying Reformation history in the library stacks, falls asleep over the Apology of Augsburg and dreams a 16th-century pickled-herring merchant—Herr Leonard Kopp, the man who smuggled Katie von Bora and eight other nuns out of the convent—into existence to argue that her call to archaeology (“digging up old bones”) is as holy as ordained ministry, with Luther’s joke that the church burns incense to insulate priests from the “holy odors” (not holy orders) of everyday life.

How Can We Keep From Singing?

Robert Scholz

No. 7 · Summer 1999

Scholz, professor of music at St. Olaf, responds to Tom Christenson’s “Freedom of a Christian” by walking through his own Nunc dimittis for the St. Olaf Christmas Festival, an Elderhostel choir of singers aged 60 to 95, and the four liberating arts (enablement and change, melioristic, embodying, and critical) as they shape conducting, composition, and music education. He defends the fine arts and folk traditions over “contemporary Christian” soft pop-rock and taped accompaniments, citing Luther’s preface to Georg Rhau’s Symphoniae iucundae and the family of God’s need to interact in song against the virtual community of TV evangelism and the Crystal Cathedrals of the air.

Poetry: After Months of Clouds, the Sun; First Bird

Farah Marklevits

No. 45 · Spring 2017

Two poems by Augustana writing instructor Farah Marklevits: “After Months of Clouds, the Sun” calls the reader up from a desk of doom-scrolling addiction and into breeze and light, while “First Bird,” epigraphed by Emily Dickinson, watches a robin flit through mid-January Midwestern loam as a phenological fairy tale of dread and the urge to live.