Number 5
The Summer 1998 issue of Intersections gathers diverse essays at the intersection of faith, life, and learning. L. DeAne Lagerquist traces four Lutheran themes underwriting her work as a historian of women in the ALC; Kyoko Mori reflects on the redemptive role of imperfection in art and writing. A memorial publishes excerpts from Conrad Bergendoff’s 1990 Augustana library address, alongside Elizabeth Baer’s chapel homily on walls and the F3 tornado that struck Gustavus on March 29. A Discussion pairs Robert W. Funk on the historical Jesus with a response by Mark Allan Powell defending myth as poetry.
Editors
Articles in this Issue
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Editorial
From the Publisher
W. Robert Sorensen
Sorenson frames Intersections and the Vocation of a Lutheran College Conference as vehicles for widening the scope of inquiry that the separation of mind from spirit has curtailed, citing Ernest Boyer on probing “the deep places of the mind and the deep longings of the human spirit.” He previews an announcement at the 1998 conference of the Conrad Bergendoff Series—named for the late scholar and former Augustana College president—whose first volume, by Ernest Simmons of Concordia College, will support an Academy of Scholars in Lutheran Higher Education.
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Editorial
From the Editor
Tom Christenson
Christenson introduces the issue as an illustration of the diversity of interests Intersections aims for, surveys the contents (Lagerquist on method, Mori on art and ritual, Baer on falling walls, Bergendoff as memorial, Funk and Powell in dialogue), urges readers to send in “your good stuff,” asks for distribution feedback, and closes with a sabbatical-year reading list—Kieran Egan, Robert Coles, Daniel Kemmis, David W. Gill, Sallie McFague, Roger Scruton, E.M. Adams, Freeman Dyson, Colamosca and Wolman, Gribbin and Goodwin, van Wyk, Wislawa Szymborska, and Flannery O’Connor.
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Article
You Don't Seem Angry: Methodological Confessions Of A Lutheran Lay-Woman
L. DeAne Lagerquist
Lagerquist, opening from a colleague’s 1981 observation about her M.A. thesis on four female abolitionists, traces her path from feminist historian and battered women’s shelter advocate through the University of Chicago’s obsession with method to a more self-conscious account of her own. The method grows out of four Lutheran themes—original sin (caution and humility), the eighth commandment against bearing false witness (generosity and forgiveness), the neighbor as “little Christ” (cooperative interpretation), and vocation (interpretation as calling, located alongside feeding the hungry and visiting the lonely)—and shapes her ongoing work on a history of Lutherans in the United States with a plot about learning to live with diversity.
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Article
Redemption Through Imperfection
Kyoko Mori
Mori, drawing on a visit to the Philadelphia Museum of Art with a friend, contrasts Marcel Duchamp’s Étant donnés—a peephole work whose mysterious motion sweeps every viewer into a shared, perpetual performance—with the static, glass-encased Liberty Bell as parody of spiritual experience. She extends the contrast into a meditation on rituals (comfort and consolation) versus art (truth, however painful), and on writing as a redemptive process that moves from orderly first drafts toward chaos and deeper, frightening truth—closing with master potters who skewed each finished vessel slightly so that art and decoration could be told apart. Parts are excerpted from Polite Lies (Holt 1997).
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Reflection
A Community That Connects
Conrad Bergendoff
Excerpts from Conrad Bergendoff’s 1990 address at the opening of Augustana’s new library, prepared by David Crowe and published here as a memorial after Bergendoff’s death in December 1997. Bergendoff—Augustana class of 1915, president 1936–1962—recounts eighty years of Augustana memories, insists that “size is pretty much within you, not outside of you,” traces the institution’s bonds to Uppsala from 1860 (and the 1910 visit of the Rector Magnificat), and celebrates Augustana’s graduates “in practically every part of the world” as evidence that a small school can have a universal output.
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Reflection
Walls: Talk At Gustavus Adolphus College
Elizabeth Baer
Baer’s September 11, 1997 Gustavus Adolphus chapel homily on Joshua 6 turns from the trumpets to the walls—Robert Frost’s “Mending Walls,” the walls of the Warsaw ghetto in Vladka Meed’s On Both Sides of the Wall and Margaret Zassenhaus’s Walls, the Berlin Wall coming down in 1989—and then to the autobiographical, intertextual discourse of Gustavus chapel itself as a place where misunderstandings come down. An author’s note added after the March 29 F3 tornado reports the closing line (“LET’S MAKE THOSE WALLS COME TUMBLING DOWN”) as eerily prescient: roofs, windows, and 90% of campus trees were lost, but the Chapel walls and the eternal flame in the red glass lantern stood firm.
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Article
The Quest Of The Historical Jesus: Problem & Promise
Robert W. Funk
Funk, founder of the Jesus Seminar, frames the quest as the search for reliable data amid twenty-two ancient gospels and as a confrontation among three “parties”—the Jesus Party, the Apostolic Party, and the Bible Party. He surveys the Seminar’s 1985–1998 work (The Five Gospels, The Acts of Jesus, the color-coded reports), defends the synoptics over John, the priority of Mark, the Sayings Gospel Q and the Gospel of Thomas, and argues that a recovered Jesus—a teacher of a trust ethic, celebration, a kingdom without social barriers, a society without brokers, without cult rituals—may serve as catalyst for a sweeping third-millennium reformation that purges the “clogged arteries” of institutional Christianity.
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Response
Beyond Data: The Poetry of Faith — A Response to Robert W. Funk
Mark Allan Powell
Powell, professor of New Testament at Trinity Lutheran Seminary, responds to Funk not as a New Testament scholar (Meier, Raymond Brown, and others can rehearse those debates) but as a Christian and a pastor. He challenges Funk’s closing implication that the institutional church’s “only function” is to protect Christian privilege (citing the ELCA’s 28 colleges, 1378 early childhood centers, AIDS hospices, and more), questions the suspicion of “derivative” faith, and proposes that piety is to theology what poetry is to prose—arguing, against Funk and with Marcus Borg, for a wholistic faith that holds history and myth, data and devotion, head and heart together.